About the Author:
Donatien Alphonse François, Marquis de Sade (2 June 1740 - 2 December 1814) was a French aristocrat, revolutionary politician, philosopher, and writer famous for his libertine sexuality and lifestyle. His works include novels, short stories, plays, dialogues, and political tracts; in his lifetime some were published under his own name, while others appeared anonymously and Sade denied being their author. He is best known for his erotic works, which combined philosophical discourse with pornography, depicting sexual fantasies with an emphasis on violence and criminality.
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Sade, who cut himself off from humanity, only had one occupation in his long life which really absorbed him - that of enumerating to the point of exhaustion the possibilities of destroying human beings, of destroying them and of enjoying the thought of their death and suffering. Even the most beautiful description would have had little meaning for him. Interminable and monotonous enumeration alone managed to present him with the void, the desert, for which he yearned, and which his books still present to the reader. Boredom seeps from the monstrosity of Sade's work, but it is this very boredom which constitutes its significance. As the Christian Pierre Klossowski says, his endless novels are more like prayer books than books of entertainment. The accomplished technique behind them is that of the "monk... who sets his soul in prayer before the divine mystery”. One must read them as they were written, with the intention of fathoming a mystery which is no less profound, nor perhaps less "divine”, than that of theology. This man, who appears in his letters as unstable, facetious, beguiling, fanatical, enamoured or amused, capable of tenderness and even of remorse, contented himself, in his books, with an invariable exercise in which an acute but permanent tension, infinitely sustained, springs from the cares that limit us. From the outset we are lost on inaccessible heights. Nothing remains that is hesitant or moderative. In an endless and relentless tornado, the objects of desire are invariably propelled towards torture and death. The only conceivable end is possible desire of the executioner to be the victim of torture himself. In Sade's will, to which we have already referred, this instinct reached its climax by demanding that not even his tomb should survive: it led to the wish that his very name should "vanish from the memory of men”. FROM THE FOREWORD BY GEORGES BATAILLE
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