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Published by St. Ann's Press, Los Angeles, 2003
ISBN 10: 0971368163ISBN 13: 9780971368163
Seller: Martin Kaukas Books, Manchester, VT, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Black cloth hardcover with Ali photo on dust jacket cover all in very good condition. Introduction by Tom Brokaw. This is Neil Leifer's 10th book and the first to be devoted to a wide range of his portraits. From the man who captured Charles Manson, Paul Newman, George Lucas, the British royal family, Sean Connery, Alec Baldwin, Ed Koch, Pope John Paul II, Frank Sinatra, Sylvester Stallone, Willie Nelson, Muhammad Ali, Billy Crystal, Ronald Reagan, George Bush, Fidel Castro, Jimmy Carter and John F. Kennedy.
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Published by St. Ann's Press, Los Angeles, 2000
ISBN 10: 0967174414ISBN 13: 9780967174419
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
Book First Edition
hardcover. Profusely illustrated (illustrator). 1st edition. 4to, 138 pp., Still shrink-wrapped from the publisher. Fine copy (issued without dust jacket).
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Published by St. Ann's Press, Los Angeles, CA, 2003
ISBN 10: 0971368163ISBN 13: 9780971368163
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Hardcover. Introduction by Tom Brokaw. Interesting collection of color and black and white photo portraits of a wide range of athletes and celebrities ranging from Roberto Clemente to Paul Newman. A fine and tight copy in a close to near fine dust jacke with some slight rumpling at the base of the rear panel.
Published by St. Ann's Press., Los Angeles., 2003
Seller: BookMine, Fair Oaks, CA, U.S.A.
First Edition
Hardcover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar). 118 pps.
Published by St. Ann's Press, Los Angeles, 2004
ISBN 10: 0975330209ISBN 13: 9780975330203
Seller: Page 1 Books - Special Collection Room, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. First Edition. First St. Ann's Press edition 2004 stated; INSCRIBED by 'Meridel' on ffep; oblong 4to, black cloth; vg (boards lightly bowed; spine head lightly sunned) in vg- dj (spine sunned; edges bumped and worn; top corners and spine head creased; rear panel scratched); 188pp. Inscribed by Author(s).
Published by Los Angeles, St. Ann's Press, 2000., 2000
Seller: Houle Rare Books/Autographs/ABAA/PADA, Palm Springs, CA, U.S.A.
Hardcover. Condition: As New. No Jacket. 4to. Illustrated with over 100 color photograph. Original red cloth with color photograph laid down on the front cover, as issued without dust jacket. Fine. 138 pages. No signatures or bookplates.
Published by [Los Angeles:] St. Ann's Press, [2004]., 2004
Seller: Michael R. Thompson Books, A.B.A.A., Los Angeles, CA, U.S.A.
Oblong quarto. Black and white and color illustrations. Cloth. Fine in fine d.j. First edition.
Published by [Los Angeles]: St. Ann's Press, [2003]., 2003
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Hardcover. Condition: Fine. Dust Jacket Included. folio. pp. 118. profusely illus. in colour (some full-page). cloth. dw.
Published by Los Angeles: St. Ann's Press., 2001
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. [130 pp.]. New. In publisher's original shrink wraps. Shrink wrap frayed at top, but unopened. Hard Covers. Color and B&W plates throughout. ISBN 10: 0967174422 ISBN 13: 9780967174426.Synopsis: "The publication of this book coincides with a James Fee retrospective exhibition at The William Benton Museum of Art, University of Connecticut at Storrs, Spring 2001".
Published by [Los Angeles]: St. Anns Press, [2003]., 2003
Seller: Michael R. Thompson Books, A.B.A.A., Los Angeles, CA, U.S.A.
Quarto. Color and a few black and white illustrations. Cloth. Fine in fined.j.
Published by Los Angeles, Calif.: St. Ann's Press., 2001
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. 130 pp. Hard Covers. Very Good. Black cloth covered boards. Dust Jacket Very Good with minor edge wear. Pages fine. Color and B&W plates throughout. Heavy volume, additional shipping fee may apply.ISBN: 0967174422 9780967174426.
Published by St. Ann's Press Los Angeles, 2002
Seller: David Kaye Books & Memorabilia, Woodland Hills, CA, U.S.A.
First Edition Signed
First Ed.- 1st Printing Hardcover SIGNED and inscribed by the acclaimed photographer, a collection of her magnificent photographs, near fine in cloth boards with photographic applique on front cover, no dust jacket or slipcase; top corners lightly bumped, interior clean and unmarked.
Published by Los Angeles, St. Anns Press [2001], 2001
Seller: Dawson's Book Shop, ABAA, ILAB, Los Angeles, CA, U.S.A.
Signed
Condition: Fine. 11 1/2 x 10 inches, 130 pages, cloth, Dust Jacket, Signed by the photographer on the preliminary blank. edition. Fine.
Published by [Los Angeles: St. Ann's Press, 2000]., 2000
ISBN 10: 0967174414ISBN 13: 9780967174419
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Book First Edition
Hardcover. 4to. pp. 7 p.l., 138. colour illus. throughout. cloth. First Edition.
Published by St. Ann's Press, Los Angeles, 2002
ISBN 10: 0971368112ISBN 13: 9780971368118
Seller: The Chatham Bookseller, Madison, NJ, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. First Edition. 172pgs. Black Cloth, Black and White print mouinted on the front cover. Black and white photographs throughout. Light wear on the bottom edges, otherwise as new in mylar sleeve. On May 25, 1961, Bruce Davison joined a group of Freedom Riders traveling by bus from Montgomery, Alabama to Jackson, Mississippi. The actions of these youths challenged and disobeyed federal laws allowing for integrated interstate bus travel. These historic episodes, which ended in violence and arrests, marked the beginning of Davidson's exploration into the heart and soul of the civil rights movement in the United States during the years 1961-1965. In the 140 photographs collected here, many of which have never before been published, we see intimate and revealing portraits of Dr. Martin Luther King Jr., John Lewis, and other leaders made by Davidson during those turbulent times. These images describe the mood that prevailed during the civil rights movement with a lyrical imagery that is both poignant and profound. As Davidson bears witness to these historical events, and documents the degradation and segregation that were endured, he gives testimony to the struggle for freedom, equality, justice, and human dignity.
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Published by St. Ann's Press, Los Angeles, CA, 2002
ISBN 10: 0971368112ISBN 13: 9780971368118
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. First edition. 29 x 30.5 cm. Quarto. Black cloth in plain mylar wrapper. A few of the later pages show som wrinkling. Extensively illustrated.
Published by St. Ann's Press, Los Angeles, 2002
ISBN 10: 0971368112ISBN 13: 9780971368118
Seller: Literary Cat Books, Machynlleth, Powys, WALES, United Kingdom
Association Member: IOBA
Book First Edition
Condition: Very Good+. Dust Jacket Condition: No Dust Jacket. First Edition. With plates after Bruce Davison. Covers in plastic protective wrap. Slight wear to spine, covers & corners. ; "Bruce Davidson: Civil Rights Photographs 1961-1965" is a poignant collection that captures the essence of the American Civil Rights Movement through the lens of renowned photographer Bruce Davidson. This volume presents a powerful visual account of the struggle for justice and equality, documenting everything from intimate moments of resistance to large-scale protests and marches. Davidson's empathetic and detailed approach offers a deep emotional connection to the events and individuals who played pivotal roles during this transformative period in American history. His photographs not only depict the tensions and conflicts but also the moments of solidarity and hope that defined the movement. This book serves as an important historical record and an artistic tribute to the courage and determination of the civil rights activists of the 1960s. Bruce Davidson is an esteemed American photographer known for his profound impact on documentary photography. Born in 1933, he began exploring photography at a young age and later studied at the Yale University School of Art. Davidson's career took a definitive turn when he joined Magnum Photos in 1958, after being encouraged by Henri Cartier-Bresson, one of its founders. Davidson is best known for his humanistic approach to social issues, capturing subcultures, and marginalized communities with sensitivity and depth. His projects, like "East 100th Street" and "Brooklyn Gang," are celebrated for their intimate portrayal of American lives. Davidson's work extends beyond photography to film and has been influential in shaping the narrative style of contemporary documentary photography. "Bruce Davidson: Civil Rights Photographs 1961-1965" was part of Chris Steele-Perkins' impressive photography book collection. As a member of Magnum Photos, Steele-Perkins held a deep appreciation for Davidson's work, which exemplifies Magnum's commitment to socially engaged, deeply personal storytelling. Davidson's focus on the Civil Rights Movement resonated with Steele-Perkins' own interest in exploring societal issues through the photographic medium. Steele-Perkins' work often tackled themes of cultural integration and identity, making Davidson's collection a natural fit and a source of inspiration. The inclusion of Davidson's book in Steele-Perkins' collection underscores his dedication to documenting human experiences and the power of photography to influence social change and understanding. ; Quarto oblong; 143 pages Original cloth with pasted-on illustration on front cover.
Published by The Museum of Contemporary Art (MOCA) and St. Ann's Press, Los Angeles & Hollywood, CA, 2002
ISBN 10: 0971368104ISBN 13: 9780971368101
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition Signed
Second edition, first printing. Hardcover. Limited edition of only 100 copies. Originally published in 1995 in conjunction with a show at Moca. Features an essay by Elizabeth A.T. Smith. Includes 38 color images by Barth. A fine copy in boards in a fine slipcase. No dust jacket as issued. Signed and numbered by Barth. An as new copy.
Published by St. Ann's Press, Los Angeles, 2003
ISBN 10: 097136818XISBN 13: 9780971368187
Book First Edition
Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. A nice, bright copy. ; B & W and Color Photographs; 10.25 X 0.75 X 12.25 inches; 124 pages.
Published by St. Ann's Press, Los Angeles, 2003
ISBN 10: 0971368139ISBN 13: 9780971368132
Book First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. Quarto. 11.25 x 12,25 in. Unpaginated. Profusely illustrated with black & white reproductions of photographs. Fine in original cloth boards with photo inset to cover and fine in acetate dust jacket. Signed on the half-title page. From a limited edition of 3,000 copies. Originally published by Harvard University Press in a different format.
Published by The Museum of Contemporary Art, Los Angeles (MOCA) and St. Ann's Press, Los Angeles and West Hollywood, California, 2002
ISBN 10: 0971368104ISBN 13: 9780971368101
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: Fine. 1st Edition. First edition thus (St. Ann's Press reissue). Limited slipcased, hardcover edition of 100 copies, signed, dated 2002 and numbered (this being #67/100) on the title page by Barth. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued; contained in a paper-covered slipcase. Photographs by Uta Barth. Edited by Russell Ferguson. Essay by Elizabeth A.T. Smith. Designed by Cindy Estes. Includes a bibliography. 54 pp., with 38 four-color plates. 9-1/2 x 8-3/4 inches. Originally published on the occasion of the 1995 exhibition Uta Barth, curated by Elizabeth A.T. Smith, at The Museum of Contemporary Art, Los Angeles, as part of the museum's Focus Series. Fine. A mint copy. Signed by Author.
Published by St. Ann's Press, Los Angeles, 2003
ISBN 10: 0971368139ISBN 13: 9780971368132
Seller: Twice Sold Tales, Capitol Hill, Seattle, WA, U.S.A.
Book Signed
Hardcover. Condition: Very Good. 2nd Edition. Signed and inscribed by Davidson, "To Jim". 2nd Edition. No Acetate Dust Jacket. Boards in VG+ condition, very light wear. Light sunfading on edge of pages. Binding is tight. Small spot of soiling on bottom of text block. **Due to size or weight of book additional charges for international and priority orders may apply.**. Inscribed by Author(s).
Published by St. Ann's Press, Los Angeles, 2003
Seller: Sanctuary Books, A.B.A.A., New York, NY, U.S.A.
Signed
Hardcover. Condition: Near Fine. Publisher's cloth. Signed by Bruce Davidson.
Published by St. Ann's Press, Los Angeles, CA., 2003
ISBN 10: 0971368139ISBN 13: 9780971368132
Book First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Bruce Davidson (illustrator). 1st Edition. 1st. Edition, 1st. Printing, 2003, White cloth hardcover with the scarce clear dust jacket, 172 page book. Illustrated with Full page black & white images by Davidson. This is the first printing by St. Ann's Press but noted as the second printing , First Printing was originally published by The Harvard University Press 1970. A scarce book and this copy was signed by Davidson on the title page . Condition : Fine Size: 4to - over 9¾ - 12" tall. Signed By Photographer. Book.
Published by St. Ann's Press, Los Angeles, 2000
ISBN 10: 0967174414ISBN 13: 9780967174419
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Book Signed
Hardcover. Condition: Fine condition. Limited edition. Signed and numbered "David Levinthal 2000 22/100" on verso of photograph and frontispiece. Small Folio. 138pp. + portfolio. Original black velvet covered boards with color photo pasted to cover with blind-stamped lettering on spine. Black velvet chemise with original, signed photograph, both housed in black velvet slipcase. Black endpapers. Known for his iconic photographs using miniature figures and toys this volume echoes Edward Hopper paintings and urban life in for Levinthal typical "dreamlike" settings. "Ever the strategist, David Levinthal risks seeming idiotic, throwing off those who seek to understand him. He likes declaring, with innocent aplomb, how much "fun" it is to make art with toys. Some apologists play along, naively taking him at his word. Others seek to give his method the currently acceptable artistic cachet by grouping it with that of practitioners of goofy, postmodernist theatrics." (Eugenia Parry). Bindings and slipcase with most minor smudges.
Published by St. Ann's Press, Los Angeles, 2003
ISBN 10: 0971368139ISBN 13: 9780971368132
Seller: Orpheus Books, Edmonds, WA, U.S.A.
Book First Edition Signed
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. First St. Ann's Press edition / First printing. Published in an edition of 3,000 case-bound copies. Signed by Bruce Davidson. Ivory cloth with photographic insert. Very fine in very fine acetate dust jacket. Signed by Author(s).
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Published by St. Ann's Press, Los Angeles, CA, 2000
ISBN 10: 0967174414ISBN 13: 9780967174419
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition Signed
First edition. Hardcover. Number 77 of only 100 specially bound copies. Essay by Eugenia Parry. A collection of 100 color photographs of imagined locations with toy figures in various settings. A fine copy in velvet covered boards with color image inset on the front cover and in a velvet slipcase and with an original color c print housed in a (you guessed it) velvet chemise. Photograph is in very fine condition and is signed by Levinthal on the reverse side and numbered as well. The book is also signed and numbered as well. No dust jacket as issued.
Published by ST. ANN'S PRESS., LOS ANGELES, 2003
ISBN 10: 0971368139ISBN 13: 9780971368132
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. Revised and expanded edition. INSCRIBED by Bruce Davidson on half title page. Fine in ivory cloth, with photographic plate on front cover, in a plain acetate protective cover. Features 25 plates not previously included in the 1970 edition. 3000 copies produced.
Published by St. Ann's Press, Los Angeles, 2004
ISBN 10: 0975330217ISBN 13: 9780975330210
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Limited edition of 30 copies, with an original, unique "pre-ambertype" photographic print (made with digital vegetable inks on tree bark paper coated with gum arabic and gold mica), "Millennial Forest," (13-3/4 x 16-5/8 inches), signed, numbered and dated (2000/2006) verso in pencil by Rubenstein, and contained in a black cloth-covered folio. The book is signed and numbered in black ink on the first page by Rubenstein. Hardcover. Black cloth, with debossed title on cover and spine; with photographically illustrated dust jacket. The book and print are enclosed in a black cloth-covered clamshell box with title debossed on lid. Photographic works, installations and text by Meridel Rubenstein. Additional essays by Terry Tempest Williams, Rebecca Solnit, Ellen Zweig, Lucy R. Lippard, Roz Driscoll, Elaine Scarry and James Crump. Designed by Olga Zaferatos Karras and Meridel Rubenstein. 192 pp., with four-color plates throughout. The book measures 11 x 11-5/8 inches; the clamshell box is 15 x 18 inches. Fine. (The book and print are in flawless, pristine condition; the corners of the clamshell box are slightly bumped). From the publisher: "Meridel Rubenstein mixes mediums and metaphors to make art about our tenuous connection to place. Originally trained as a photographer, she combines disparate materials such as earthy palladium prints with cold steel mounts, transparent photographic imagery sandblasted onto glass, video imagery projected onto cast glass, and digital still imagery on floating vellum and hand-coated tree bark papers. A sense of fragility, transparency, and passage in her works underscores a possibility for change. Her complex narrative photoworks and installations derive from a sense of place, personal and collective history, and myth-the landscape of the cultural mind. Nine intersecting bodies of work compose this book. The Lowriders is a series of color photographs of the customized cars owned by Latinos from northern New Mexico. Critical Mass is a collaborative work about the making of the first bomb at Los Alamos. The intersecting of the world of the Native American and the Nuclear Scientist is told through the story of one woman who they met. Oppenheimer';s Chair is a meditation on nature and the shedding of defensive postures after 50 years of the cold war. Also included is a series that stems from Rubenstein's 1997 trip to Vietnam, where she commenced a body of work tracing the trajectories of uprooting and replanting in relation to the Vietnam War." Signed by Author.
Published by St. Ann's Press, Los Angeles, 2000
ISBN 10: 0967174414ISBN 13: 9780967174419
Seller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Book Signed
Hardcover. Condition: Near fine condition. Limited edition. 15/25. Signed and numbered "David Levinthal 2000 V # 15" on half-title. Small Folio. 138pp. + portfolio. Original red velvet covered boards with color photo pasted to cover with blind-stamped lettering on spine, black endpapers. Red velvet chemise with original, signed photograph (15/25 / 10 x 7"), both housed in red velvet slipcase. Missing second photograph. Black endpapers. Known for his iconic photographs using miniature figures and toys this volume echoes Edward Hopper paintings and urban life in for Levinthal typical "dreamlike" settings. "Ever the strategist, David Levinthal risks seeming idiotic, throwing off those who seek to understand him. He likes declaring, with innocent aplomb, how much "fun" it is to make art with toys. Some apologists play along, naively taking him at his word. Others seek to give his method the currently acceptable artistic cachet by grouping it with that of practitioners of goofy, postmodernist theatrics." (Eugenia Parry).