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Published by König, Walther Jul 2019, 2019
ISBN 10: 3960984111ISBN 13: 9783960984115
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Book
Buch. Condition: Neu. Neuware -The realm of the imaginary, which has always been regarded as the primal domain of art, has expanded progressively under the influence of new technologies in the early years of the twenty-first century. Through a process of mutual interaction, the imaginary permeates and shapes reality-and vice versa. The imaginary potential of the visual image has become increasingly significant. This ongoing process is designated by the concept of the image. The works presented in this exhibition explore the image at the moment of its fundamental reconfiguration. Changes affecting the origin, distribution, function, and mission of the image have made it both the point of departure and the principal object of artistic analysis. The artists featured in this exhibition respond to the permanent transformation and free circulation of images with a gesture of focused attention. Existing images are reformatted without concern for their materiality. Rhythmic delays are employed for the purpose of exploring the imaginary potential of images as well as the feedback of the real that is discernible in them. Freed from the yoke of hierarchies, all images are equal, interchangeable and placeless. They are a pure medium of reflection. Text: Alex Kitnick, Susanne Pfeffer, Seth Price, D.N. Rodowick 144 pp. Englisch, Deutsch.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960984111ISBN 13: 9783960984115
Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germany
Book
Buch. Condition: Neu. Neuware -The realm of the imaginary, which has always been regarded as the primal domain of art, has expanded progressively under the influence of new technologies in the early years of the twenty-first century. Through a process of mutual interaction, the imaginary permeates and shapes reality-and vice versa. The imaginary potential of the visual image has become increasingly significant. This ongoing process is designated by the concept of the image. The works presented in this exhibition explore the image at the moment of its fundamental reconfiguration. Changes affecting the origin, distribution, function, and mission of the image have made it both the point of departure and the principal object of artistic analysis. The artists featured in this exhibition respond to the permanent transformation and free circulation of images with a gesture of focused attention. Existing images are reformatted without concern for their materiality. Rhythmic delays are employed for the purpose of exploring the imaginary potential of images as well as the feedback of the real that is discernible in them. Freed from the yoke of hierarchies, all images are equal, interchangeable and placeless. They are a pure medium of reflection. Text: Alex Kitnick, Susanne Pfeffer, Seth Price, D.N. Rodowick 144 pp. Englisch, Deutsch.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960984111ISBN 13: 9783960984115
Seller: Wegmann1855, Zwiesel, Germany
Book
Buch. Condition: Neu. Neuware -The realm of the imaginary, which has always been regarded as the primal domain of art, has expanded progressively under the influence of new technologies in the early years of the twenty-first century. Through a process of mutual interaction, the imaginary permeates and shapes reality-and vice versa. The imaginary potential of the visual image has become increasingly significant.This ongoing process is designated by the concept of the image. The works presented in this exhibition explore the image at the moment of its fundamental reconfiguration. Changes affecting the origin, distribution, function, and mission of the image have made it both the point of departure and the principal object of artistic analysis.The artists featured in this exhibition respond to the permanent transformation and free circulation of images with a gesture of focused attention. Existing images are reformatted without concern for their materiality. Rhythmic delays are employed for the purpose of exploring the imaginary potential of images as well as the feedback of the real that is discernible in them. Freed from the yoke of hierarchies, all images are equal, interchangeable and placeless. They are a pure medium of reflection.Text: Alex Kitnick, Susanne Pfeffer, Seth Price, D.N. Rodowick.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960984111ISBN 13: 9783960984115
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Buch. Condition: Neu. Neuware - The realm of the imaginary, which has always been regarded as the primal domain of art, has expanded progressively under the influence of new technologies in the early years of the twenty-first century. Through a process of mutual interaction, the imaginary permeates and shapes reality-and vice versa. The imaginary potential of the visual image has become increasingly significant. This ongoing process is designated by the concept of the image. The works presented in this exhibition explore the image at the moment of its fundamental reconfiguration. Changes affecting the origin, distribution, function, and mission of the image have made it both the point of departure and the principal object of artistic analysis. The artists featured in this exhibition respond to the permanent transformation and free circulation of images with a gesture of focused attention. Existing images are reformatted without concern for their materiality. Rhythmic delays are employed for the purpose of exploring the imaginary potential of images as well as the feedback of the real that is discernible in them. Freed from the yoke of hierarchies, all images are equal, interchangeable and placeless. They are a pure medium of reflection. Text: Alex Kitnick, Susanne Pfeffer, Seth Price, D.N. Rodowick.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960985754ISBN 13: 9783960985754
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Book
Buch. Condition: Neu. Neuware -Thirty years after the fall of the Berlin Wall, what do we know about East-German photography Resulting from several years of research led by Sonia Voss in Berlin and several other cities of former G.D.R., this publication presents the work of 16 photographers, still rarely shown outside of their country, that have developed their work during the decade preceding the fall of the Wall. The economy was crumbling, the country was in free fall, all that was left was to wait for its unavoidable collapse. Boredom, desire for someplace else, impatience - sometimes melancholic, sometimes enraged - were created by this state of repression, uniformisation and the shortage experienced by youth of this time. The existential and artistic strategies are as diverse as the artists that have been through this period: confrontation of social taboos, withdrawal and introspection, evasion through dreams, self reinvention through dressing up and dramatisation. The body is often at the center of their experimentations, drawing from hybridization and performative art to express their thirst for subversion and speed, or to observe faces and bodies in order to ward off their falling apart. In this book, women have an important place reflecting the specificity of their social status in East Germany. 180 pp. Englisch.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960985754ISBN 13: 9783960985754
Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germany
Book
Buch. Condition: Neu. Neuware -Thirty years after the fall of the Berlin Wall, what do we know about East-German photography Resulting from several years of research led by Sonia Voss in Berlin and several other cities of former G.D.R., this publication presents the work of 16 photographers, still rarely shown outside of their country, that have developed their work during the decade preceding the fall of the Wall. The economy was crumbling, the country was in free fall, all that was left was to wait for its unavoidable collapse. Boredom, desire for someplace else, impatience - sometimes melancholic, sometimes enraged - were created by this state of repression, uniformisation and the shortage experienced by youth of this time. The existential and artistic strategies are as diverse as the artists that have been through this period: confrontation of social taboos, withdrawal and introspection, evasion through dreams, self reinvention through dressing up and dramatisation. The body is often at the center of their experimentations, drawing from hybridization and performative art to express their thirst for subversion and speed, or to observe faces and bodies in order to ward off their falling apart. In this book, women have an important place reflecting the specificity of their social status in East Germany. 180 pp. Englisch.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960985754ISBN 13: 9783960985754
Seller: Wegmann1855, Zwiesel, Germany
Book
Buch. Condition: Neu. Neuware -Thirty years after the fall of the Berlin Wall, what do we know about East-German photography Resulting from several years of research led by Sonia Voss in Berlin and several other cities of former G.D.R., this publication presents the work of 16 photographers, still rarely shown outside of their country, that have developed their work during the decade preceding the fall of the Wall.The economy was crumbling, the country was in free fall, all that was left was to wait for its unavoidable collapse. Boredom, desire for someplace else, impatience - sometimes melancholic, sometimes enraged - were created by this state of repression, uniformisation and the shortage experienced by youth of this time. The existential and artistic strategies are as diverse as the artists that have been through this period: confrontation of social taboos, withdrawal and introspection, evasion through dreams, self reinvention through dressing up and dramatisation. The body is often at the center of their experimentations, drawing from hybridization and performative art to express their thirst for subversion and speed, or to observe faces and bodies in order to ward off their falling apart. In this book, women have an important place reflecting the specificity of their social status in East Germany.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960986300ISBN 13: 9783960986300
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Book
Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood 241 pp. Englisch.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960986300ISBN 13: 9783960986300
Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germany
Book
Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood 241 pp. Englisch.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960985754ISBN 13: 9783960985754
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Buch. Condition: Neu. Neuware - Thirty years after the fall of the Berlin Wall, what do we know about East-German photography Resulting from several years of research led by Sonia Voss in Berlin and several other cities of former G.D.R., this publication presents the work of 16 photographers, still rarely shown outside of their country, that have developed their work during the decade preceding the fall of the Wall. The economy was crumbling, the country was in free fall, all that was left was to wait for its unavoidable collapse. Boredom, desire for someplace else, impatience - sometimes melancholic, sometimes enraged - were created by this state of repression, uniformisation and the shortage experienced by youth of this time. The existential and artistic strategies are as diverse as the artists that have been through this period: confrontation of social taboos, withdrawal and introspection, evasion through dreams, self reinvention through dressing up and dramatisation. The body is often at the center of their experimentations, drawing from hybridization and performative art to express their thirst for subversion and speed, or to observe faces and bodies in order to ward off their falling apart. In this book, women have an important place reflecting the specificity of their social status in East Germany.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960986300ISBN 13: 9783960986300
Seller: Wegmann1855, Zwiesel, Germany
Book
Buch. Condition: Neu. Neuware -The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood.
Published by König, Walther Jul 2019, 2019
ISBN 10: 3960986300ISBN 13: 9783960986300
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Buch. Condition: Neu. Neuware - The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood.