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Published by The Ashmolean Museum, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Gulf Coast Books, Memphis, TN, U.S.A.
Book
hardcover. Condition: New.
Published by Antique Collectors Club, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Turn-The-Page Books, Skyway, WA, U.S.A.
Book
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Tight and unmarked, NF/NF. 160pp. Dust jacket in a new mylar cover. Francis Bacon, Henry Moore. Large book: NO international or priority orders. Size: 4to - over 9" - 12" Tall.
Published by Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Mark Henderson, Olathe, KS, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Book.
Published by Antique Collectors' Club, Woodbridge, Suffolk, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Maya Jones Books, Cerrillos, NM, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. FINE, nearly As New, in VERY GOOD jacket (lightly bumped at edges and folds). 160 pp., 63 color plates, 56 figs. Ashmolean Museum exhibition. Size: 4to.
Published by Antique Collectors Club, Oxford, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, United Kingdom
Book
Hardcover. Condition: Very Good. Hardcover with jacket. Very good condition. CM. Used.
Published by The Ashmolean Museum, Oxford, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Seller: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, United Kingdom
Book
Paperback. Condition: Very Good. Paperback in very good condition. The lightest of edgewear to the cover. All text and images are clear. CM. Used.
Published by Ashmolean Museum, Oxford, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Seller: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, United Kingdom
Book
Paperback. Condition: Very Good. Paperback with French flaps. One or two slight scores on covers. Marginal wear on spine head. Light mark on page 120. Pages are otherwise clean. Text and illustrations are clear. AF. Used.
Published by Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
Book
hardcover. Condition: As New. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Published by Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Book
Condition: Used: Very Good. Hardcover in dust jacket, with no marks or writing in book. Jacket lightly rubbed; otherwise like new.
Published by Antique Collectors' Club Ltd, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Holt Art Books, Birmingham, United Kingdom
Book
Hardcover. Condition: As New. Book is in as new condition.
Published by The Ashmolean Museum, 2013
ISBN 10: 1854442821ISBN 13: 9781854442826
Book
paperback. Condition: Very Good.
Published by Antique Collectors Club Dist, New York, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Book
Hardcover. Book condition is Very Good+; with a Very Good+ dust jacket. Text is unmarked, illustrated throughout. ; 11.10 X 8.90 X 0.79 inches; 200 pages.
Published by Antique Collectors' Club Ltd, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Aardvark Rare Books, Bucknell, SHROP, United Kingdom
Book
Hardcover. Condition: New. **HARDBACK** **SHRINKWRAPPED**.
Published by Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
Published by Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Hardcover. Condition: new.
Published by Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
Published by Gagosian Gallery London, 2019
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover without dustjacket as issued; 100 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Published by Antique Collectors Club Dist, 2013
ISBN 10: 1851497471ISBN 13: 9781851497478
Seller: Mispah books, Redhill, SURRE, United Kingdom
Book
Hardcover. Condition: Like New. Like New. book.
Size: 280 mm x 220 mm. Pages: 160. Illustrations: 140 colour. Hardback. New. ISBN 9781851497478. In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance.Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych.Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison. 0 g.
Published by Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: New.
Published by Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Book
Condition: As New. Unread book in perfect condition.
Published by Rizzoli Intl Pubns, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 99 pages. 12.00x9.00x0.75 inches. In Stock.