"synopsis" may belong to another edition of this title.
The swans are by the shore, drifting bright as paper cutouts
against waves blurred by dusk. They spend the night
murmuring oboe harmonies to each other, a woodwind of
reassurance. Ordinary swans, the Queen’s swans on the river
where we feed the ducks at home, have faces apparently
afflicted by some medieval disease, and sleep standing on one
leg, heads under their wings like child-free passengers on
long-haul flights who can summon night with a nylon blindfold.
These sea swans seem to stay awake all night, sailing
through the fading light like ships bound for far countries, and
they have faces as smooth and neutral as the corps de ballet, faces
that can’t communicate any level of grief or pain. Perhaps this
is an asset in species that mate for life.
I glance back at the house. Its façade, dark as the cliff-face
at the other end of the island, turns away from the after-light
shining over the sea, from where America is coming up for a
new day as we turn away from the sun. One of the swans
stretches towards the sky and cries out, wings threshing the water
in sudden agitation like that of someone who has just remembered
that a friend is dead. I saw a goose dying, once, a Canada
goose that had flown all the way from the Arctic to end its life on
the hard shoulder of the M40, and although one wing was still
beating as if to music while the other lay across the rumble-strip,
its face was impassive. I stood on the footbridge, watching, joggling
the pram in which the baby would sleep only for as long
as we kept moving, until some lorry driver, merciful or inattentive,
left a flurry of feathers and red jam on the road. Our swans
are safe from that, here. For a season. Like us, they will go south
in the autumn, but for now there are no cars, no roads. No
bridges, either. The stars are coming out in the darkening sky
over the hill. I shiver; not cold, exactly, but time to go in.
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Book Description Condition: New. Seller Inventory # 11664757-n
Book Description Paperback. Condition: new. Paperback. Historian Anna Bennett has a book to write. She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctured by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer and a novelist of great emotional depth. The discovery of a baby's skeleton on a remote Scottish island unearths long-buried secrets in this darkly comic, atmospheric new novel from the author of the acclaimed COLD EARTH. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781847082152
Book Description paperback. Condition: New. Seller Inventory # 9781847082152
Book Description Condition: New. pp. 386. Seller Inventory # 5842364
Book Description Paperback. Condition: Brand New. 416 pages. 8.50x5.31x1.10 inches. In Stock. Seller Inventory # __1847082157
Book Description Condition: New. pp. 386. Seller Inventory # 263054179
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