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In 1936, invited by André Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim (1913–85) decided to act upon a café conversation she had recently had with Pablo Picasso and his then companion Dora Maar. Commenting on a fur-covered bracelet that Oppenheim had made for the designer Schiaparelli, Picasso remarked that one could cover just about anything in fur, to which Oppenheim had responded, “Even this cup and saucer.” The resulting sculpture was “Object,” a teacup, saucer and spoon purchased from a department store and lined with Chinese gazelle fur.
In this volume of the MoMA One on One series, an essay by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work.
In this volume of the MoMA One on One series, an essay by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work.
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- PublisherThe Museum of Modern Art, New York
- Publication date2017
- ISBN 10 1633450198
- ISBN 13 9781633450196
- BindingPaperback
- Number of pages48
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Oppenheim: Object: MoMA One on One Series
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Book Description Paperback. Condition: new. Paperback. In 1936, invited by Andre Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim decided to act upon a cafe conversation she had recently had with Pablo Picasso and his then-companion Dora Maar. Commenting on a fur-covered bracelet that Oppenheim had made for the designer Schiaparelli, Picasso remarked that one could cover just about anything in fur, to which Oppenheim had responded, 'Even this cup and saucer.' The resulting sculpture was Object, a teacup, saucer and spoon purchased from a department store and lined with Chinese gazelle fur. In this volume of the MoMA One on One series, an essay by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work, which simultaneously attracts and repels the viewer, and of the dreamlike world of Surrealism in which Oppenheim worked. In 1936, invited by Andre Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim decided to act upon a cafe conversation she had with Pablo Picasso and his companion Dora Maar. In this volume, an essay by a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781633450196
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