In writing "as lively as good conversation" (Robert Brustein), Lahr arrives at truths of uncommon clarity, a claim seconded by Arthur Miller, who said that Lahr’s essay on him is "by far the best thing about my stuff I’ve ever read." These heralded profiles, the product of his impressive work at The New Yorker, deepen our understanding of their subjects and our culture that they so profoundly reflect. Honky Tonk Parade, like the icons whose lives and work it so meticulously chronicles, corrupts an audience with pleasure.
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