About the Author:
Dianne Highbridge was born and raised in Sydney where she went to university. After working in London bookshops for a time, she became a postgraduate student at the University of London. She then received a scholarship to the University of Tokyo to study the early twentieth century women's movement took her to Japan. Married in New York to a Japanese industrial designer, she has lived in Tokyo for a number of years. She has received grants from the Australia Council Literature Board and her stories and journalism have appeared in England, Australia, and the United States.
From Kirkus Reviews:
The emergence of an abiding love between a schoolteacher in her 30s and the 16-year-old son of a longtime friend is the main event in this softly rendered, erotically charged debut from Tokyo-based Australian Highbridge. Hardly enamored of her work, Aly still dutifully grades her students' papers, not even daring to think that someone might come along and change her life forever. When Tom walks down the aisle of the commuter train to sit next to her, she has trouble remembering who he is, and seeing him as the catalyst of change isn't even a possibilityafter all, he's only 15. They continue to meet on the train, however, and by the time Tom has a birthday Aly views this tall, elegantly sculpted, sensitive, lute-playing youth as more than her professor friend Louise's only son. When he makes a pass at her, she offers only token resistance, and before they know it they're passionately involved. Given the age difference and her line of work, Aly is acutely aware of the repercussions should their affair be uncoveredbut when the cat is finally out of the bag, the lovers are too smitten to care. He moves in with her and leaves school to get his diploma on his own, flipping burgers for money; she decides to quit teaching. Then Tom has a serious accident on his scooter, and in his weeks of convalescence his parents manage to make Aly feel guilty enough that she stops seeing him. Two dismal years pass, until the death of Tom's grandmother, the only one to view their love as the real McCoy, provides an occasion for them to find out whether what they once had is still there. As the lovers here see nought but each other, the story sees little but them and their obsessionand in that context the heights and depths of passion and each frisson of delight are finely done. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
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