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Just a Lucky So and So: The Story of Louis Armstrong - Hardcover

 
9780823434282: Just a Lucky So and So: The Story of Louis Armstrong
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He was born "black, poor, and lucky." The glowing story of "Satchmo"—the great jazz musician, Louis Armstrong.

Louis Armstrong has been called the most important improviser in the history of jazz. Although his New Orleans neighborhood was poor in nearly everything else, it was rich in superb music. Young Louis took it all in, especially the cornet blowing of  Joe "King" Oliver. But after a run-in with the police, 11-year-old Louis was sent away to the Colored Waif’s Home for Boys where he became a disciplined musician in the school’s revered marching band.

Ultimately, he was to travel the world from Chicago to Paris and would transform jazz through his improvised singing ("scatting") and masterful trumpet playing. He played with Duke Ellington, Ella Fitzgerald, Billie Holiday, and other jazz greats of his day. Armstrong was the first African-American man to host a national radio show, and the first jazz musiciain to write an autobiography.

This is a joyful tribute to the virtuoso musician and buoyant personality who introduced much of the world to jazz. The author's note includes a detailed biography and resources to learn more about Louis Armstrong and jazz.

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About the Author:
Lesa Cline-Ransome and James Ransome have collaborated on many award-winning picture books for children. These include Before She was Harriet, a Coretta Scott King honor book; Benny Goodman & Teddy Wilson: Taking the Stage as the first Black-and-White Jazz Band in History; Satchel Paige, which was an ALA Best Book for Children and Words Set Me Free: The Story of Young Frederick Douglass, which received starred reviews in Booklist and School Library Journal. They live in the Hudson River Valley region of New York.
From School Library Journal:
PreS-Gr 3—The iconic and groundbreaking musician gets a gorgeous picture book biography from the wife-and-husband team who created Benny Goodman and Teddy Wilson: Taking the Stage as the First Black-and-White Jazz Band in History (Holiday House, 2014). The mostly lyrical work touches upon the jazz performer's humble beginnings in New Orleans, his musical influences, and his career highlights. The watercolor illustrations elevate the narrative; ranging in color from murky browns to gem-toned hues. Ransome's depictions are reminiscent of Jerry Pinkney's artwork in Marilyn Nelson's Sweethearts of Rhythm: The Story of the Greatest All-Girl Swing Band in the World (Dial, 2009). The variation of design, with square-shaped insets, joy-filled profiles, and vivacious dance scenes, makes the paintings reverberate off the page. The sometimes dry text doesn't shy away from the not-so-lucky moments of the entertainer's early life, including his scrapes with the law, which landed him at the Colored Waif's Home for Boys. One scene, in which a young Armstrong holds a gun at a New Year's Eve celebration, may shock sensitive readers. It was at this home where Armstrong found his true calling as a musician. Quotations from Armstrong are sprinkled throughout, but, unfortunately, source notes aren't provided. However, the detailed author's note offers more background information for young researchers, and the back matter includes age-appropriate further reading and links to websites that feature archive photos and sound recordings. Armstrong's connection to the "Just a Lucky So and So" referenced in the title, a song written by Duke Ellington and David Mack, which Armstrong and Ellington performed on a famous 1961 recording, is fleshed out in the author's note but doesn't receive much elaboration in the text. VERDICT A solid choice for school libraries and collections looking to freshen up biography collections for school-age readers.—Shelley Diaz, School Library Journal

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