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In Plots and Errors, McGown uses that hard-earned believability to anchor a complicated story as full of plot twists and false leads as any Agatha Christie play. (She even constructs it like a play, with acts and scenes set off by appropriate quotes from Hamlet).
The book opens with the suspicious suicide of two middle-aged private detectives, Andy and Kathy Cope. A short time later, their only client, a member of the wealthy (and dysfunctional) Esterbrook family, is found murdered. It seems all the deaths are somehow connected. As we shuttle between the Esterbrook family estate in Bartonshire to a yacht anchored in Cornwall, we rely on the solid comfort of Lloyd and Hill to help us achieve closure. --Dick Adler
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