'Anouilh is a poet, but not of words: he is a poet of words-acted, of scenes-set, of players-performing' Peter Brook
Jean Anouilh, one of the foremost French playwrights of the twentieth century, replaced the mundane realist works of the previous era with his innovative dramas, which exploit fantasy, tragic passion, scenic poetry and cosmic leaps in time and space. Antigone, his best-known play, was performed in 1944 in Nazi-controlled Paris and provoked fierce controversy. In defying the tyrant Creon and going to her death, Antigone conveyed to Anouilh's compatriots a covert message of heroic resistance; but the author's characterisaation of Creon also seemed to exonerate Marshal Petain and his fellow collaborators. More ambivalent than his ancient model, Sophocles, Anouilh uses Greek myth to explore the disturbing moral dilemmas of our times.
Commentary and notes by Ted Freeman.
"synopsis" may belong to another edition of this title.
Includes an interview with translator Christopher Nixon and director Brendon Fox.
Also includes an interview with Ned Chaillet, a playwright, radio producer and director for the BBC. Chaillet is the former Deputy Drama Critic for the Times of London and the London theatre critic for the Wall Street Journal-Europe. He spoke with us about Antigone in the context of World War Two, the differences bewtween the original myth of Sophocles and the Anouilh version, and Anouilh's influence on later playwrights.
An L.A. Theatre Works full-cast performance featuring:
Jordan Bridges as Haemon and Guard
Dominic Fumusa as Guard
Francis Guinan as Creon
John Hansen as Guard and Messenger
Alan Mandell as Chorus
Elizabeth Marvel as Antigone
Alley Mills as Nanny
Mandy Siegfried as Ismene
Directed by Brendon Fox. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.
"About this title" may belong to another edition of this title.
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