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In the first story, "The Use of Reason," a lifelong burglar is nearly brought down by his mother, who talks too much when she drinks in her local pub. In "A Song," Noel, on the town with a group of his musician friends, ends up in the same bar as his estranged mother, who is asked to sing. She sings an Irish ballad about love and treachery and he is convinced that she is singing directly to him. In "A Priest in the Family," Molly's son Frank is accused of abuse, but no one has the courage to tell her until it is almost time for the trial. Her reaction is not entirely predictable. "Three Friends" takes place after a young man attends his mother's funeral. He joins his friends for a night of carousing and drugs ending with a late-night swim, where he is emboldened to make an overt sexual pass at one of his buddies, with interesting results. The final story, "A Long Winter," is set in Spain in a remote village. Miquel's mother drinks. Everyone knows it but Miquel. His father pours out her supply of booze and she leaves the house. So far it's a simple story. It doesn't stay that way. Each of these stories has its own gravitas, its own sadness, and that laser-beam of insight that is Toíbín's trademark. --Valerie Ryan
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